SEPTEMBER–NOVEMBER SHOWS

Opening Reception
Friday, September 22, 2017
6-9 PM
Artist Talks at 6 PM

Sterling Allen: Backdrop & Blocker
September 22 - October 22, 2017
O'Quinn Gallery
Essay by Betsy Huete

In this solo presentation by Sterling Allen, the Austin-based artist creates a site-specific sculpture-based installation that activates sight lines, architectural relationships, hanging conventions, and spatial connections, all while celebrating pop, the handmade, function, failure and the cheap illusion.

Sterling Allen holds an MFA in Sculpture from the Milton Avery Graduate School of Arts at Bard College and a BFA in Studio Art from the University of Texas in Austin. He is a co-founder and co-director of Okay Mountain, an artist collective and former gallery based in Austin, Texas. As a solo artist and in collaboration with the group, he has exhibited, organized, and completed projects at venues throughout the United States and received several residencies including the Artpace International Artist-In-Residence Program in San Antonio, Texas and the Bemis Center for Contemporary Art in Omaha, Nebraska. He is currently an Assistant Professor in Studio Art at Texas State University in San Marcos, TX.

Backdrop & Blocker (installation view), 2017

Betsy Huete is an artist and writer from Houston. She received her BFA from Rice in 2006 and her MFA in Sculpture from the University of Houston in 2014. Huete has had solo and two-person exhibitions at Art League Houston, Lawndale Art Center, Matchbox Gallery, and galleryHOMELAND, and participated in Houston’s Fringe Festival in 2012. She attended the artist residency Mildred’s Lane during the summers of 2012 and 2013, and was subsequently included in the residency’s exhibition at the Museum of Modern Art in New York in the fall of 2012. A frequent contributor to Glasstire, Huete has also written for The Great God Pan is Dead, gulfcoastmag.org, and served as the assistant editor for the Art Lies section of Gulf Coast: A Journal of Literature and Fine Arts in 2013. Additionally, in 2012 she collaborated on Dis Manibus: A Taxonomy of Ghosts From Popular Forms published by Information as Material in the UK.


Katherine Trimble: Touch Box
September 22 - October 22, 2017
Project Space
Essay by Melissa Warak, Ph.D.

When does a sound become music? When does language break down into sound? What happens to live music if you can't see the performer? Houston-based artist and musician, Katherine Trimble asks her audience to contemplate the breakdown of sounds in an immersive site-specific installation entitled Touch Box.

Katherine Trimble is a Houston-based musician and visual artist. She makes audiovisual installations and performances that explore how our senses influence, contradict, and depend on each other to create our own individual versions of the world. Originally from Rochester, NY, she earned a BFA in Animation from the Rhode Island School of Design (2006) and an MFA in Art & Technology Studies from the School of the Art Institute of Chicago (2012), and has performed and exhibited her work internationally in a wide range of art spaces, film festivals, music venues and public spaces. She currently teaches at the High School for the Performing and Visual Arts (HSPVA) and Houston Community College.

Touch Box, 2017
Custom room, tactile transducers, microphone, custom software
8.5’ x 6’ x 8.5’ / Dimensions variable

Dr. Melissa Warak is Assistant Professor of Art History at the University of Texas at El Paso and specializes in the relationship of music and sound to art of the twentieth and twenty-first centuries. Dr. Warak is a Houston native and earned a B.A. in English literature and art history from Vanderbilt University, and her M.A. / Ph.D. in art history from the University of Texas at Austin. Her current research focuses on the ways that visual artists from the mid-fifties to late sixties employed musical models in their work. Aside from musical and sound art, her research interests include the history of abstraction, spirituality in modern and contemporary art, science and technology in modern and contemporary art, and astronomy in art. Her research has been supported by grants and fellowships from the National Portrait Gallery of the Smithsonian Institution, the Getty Research Institute, the Royal Music Association of the United Kingdom, The Menil Collection in Houston, the Crystal Bridges Museum of American Art, the Kress Foundation, and the Yale University Art Galleries, among others.


Lynn Randolph: Between Worlds
Curated by Susie Kalil
October 6, 2017 – January 21, 2018

Opening Reception
October 6, 2017, 6 PM

Conversation with the artist and Jeffrey J. Kripal
Wednesday, December 13, 2017
7 PM

Frequent collaborators, Lawndale is pleased to present Lynn Randolph and Jeffrey J. Kripal, J. Newton Rayzor Professor of Philosophy and Religious Thought at Rice University, in conversation about art, religion, and the spiritual in contemporary society.

Between Worlds responds to Randolph's ongoing work with palliative care patients at MD Anderson Cancer Center. Comprised of approximately twenty drawings, these painstakingly rendered works deftly combine elements of the weird and scientific with acute psychological and metaphoric realism and builds bridges to the spiritual. In the words of curator Susie Kalil: "Lynn Randolph's drawings come to grips with the realities of who we are, a spiritual tenor both dire and redeeming. Her works have soul as well as nerve- a sustained shriek about power and morality in a new global era. The silent fear of dying informs Randolph's drawings, which ambush us with relentless personal conviction and spellbinding strangeness. Caught up in the medical paradigm of cure, we assent to heroic measures that may deprive us of final dignity. What is death and what does loss mean? What has happened to death as a community event and mourning as a communal practice? Randolph's drawings remind us that we are embodied beings yearning for communion with one another, that we suffer pain and loss; that we struggle to transcend our bodies and our anguish by connecting with outer worlds and inner realms."

Lynn Randolph grew up in Port Arthur, Texas. She earned her BFA from the University of Texas in Austin. Her paintings have appeared in many texts as they inform topics such as feminism, religion, cultural studies, and contemporary art. Randolph's paintings have been exhibited and collected in permanent museum collections and other public and private institutions including: Bunting Institute at Radcliffe/Harvard; National Museum of Women in the Arts, Washington, DC; Arizona State University Art Museum; San Antonio Museum of Art; Museum of Fine Arts, Houston; and The Menil Collection. In 2008,Randolph became an artist in residence at MD Anderson Cancer Center. Here she considers herself a translator helping patients realize their memories, dreams and reflections on their lives through art.

A Beloved’s Touch, 2015
Graphite on paper
18 x 24 inches

Susie Kalil is a former Core Fellow in Critical Studies at the Glassell School of Art, the Museum of Fine Arts, Houston. A frequent contributor to publications including ArtNews, Art in America, Artforum, Sculpture and Cite, she also previously served as managing editor of the Texas art journal Artlies, as well as Spot magazine, Houston Center for Photography. For the Museum of Fine Arts, Houston, she co-curated (with Barbara Rose) the landmark exhibition Fresh Paint: The Houston School and The Texas Landscape: 1900-1986. She previously served as Visual Arts Director, DiverseWorks, Houston.

Kalil is the author of the award-winning book Alexandre Hogue: An American Visionary (Texas A&M University Press) and curator of the Hogue retrospective, which traveled to the Art Museum of South Texas, the Grace Museum and the Fort Worth Museum of Science and History. She also co-curated the Hogue exhibition, which traveled to the Rockwell Museum (Corning, New York), the Dallas Museum of Art, and the Gilcrease Museum (Tulsa, Oklahoma). Kalil is the author of Dorothy Hood: The Color of Being/El Color del Ser (Texas A&M University Press) and curator of the Hood retrospective for the Art Museum of South Texas. She is currently at work on the monograph Roger Winter: Fire and Ice.

Jeffrey J. Kripal holds the J. Newton Rayzor Chair in Philosophy and Religious Thought at Rice University. Jeff is the author of numerous books, including Comparing Religions: Coming to Terms (with Ata Anzali, Andrea R. Jain, and Erin Prophet), Authors of the Impossible: The Paranormal and the Sacred and Esalen: America and the Religion of No Religion. He is presently working on a three-volume study of paranormal currents in American history for the University of Chicago Press.

Dia de los Muertos
October 27 - November 2, 2017

 

Contact

4912 Main Street
Houston, Texas 77002
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T  713.528.5858
F  713.528.4140
E  askus@lawndaleartcenter.org

Hours
Monday & Tuesday: CLOSED; Appointment only
Wednesday: 12–6 PM
Thursday: 12–8 PM
Friday: 12–6 PM
Saturday: 12–5 PM
Sunday: 12–5 PM

Admission
Free Exhibition Admission

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Retablo Drop-off
Monday, Oct 23 - Wednesday, Oct 25
10 AM - 4 PM


 

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